论文部分内容阅读
汉代和宋代是中国漆艺史上的两个盛期,本文从两个时代漆器的社会地位、造型特征、色彩特征和美学思想等方面来比较汉代与宋代的漆器艺术,并分析二者异同产生的原因。汉代在“天人合一”的哲学体系构建的环境中发展了整体统一的美学风格,漆器多以彩绘为主,色彩亮丽、纹饰丰富,表现出大气磅礴的时代特征。宋代由于崇文风气和理学的兴起,形成了以理性为特征的美学思想,漆器造型形态上更富有创造性,色彩以素髹为主,表现朴素大方、典雅的特点。本文对汉宋两代漆器艺术做出了对比分析,这对正确评价两个时期的漆器艺术价值具有一定参考价值。
Han and Song dynasties are two flourishing periods in the history of lacquer art in China. This paper compares the lacquer art of the Han and Song dynasties from the social status, modeling features, color characteristics and aesthetic thoughts of the lacquer ware of the two ages and analyzes the similarities and differences between the two the reason. The Han Dynasty developed a unified aesthetic style in the construction of the philosophical system of “harmony between man and nature”. The lacquerware was mainly painted with bright colors and rich ornamentation, showing the magnificent characteristics of the times. In the Song Dynasty, due to the Chongwen culture and the rise of Neo-Confucianism, the aesthetic thought characterized by rationality was formed. The shape of lacquerware was more creative and the color was predominantly plain, with simple and elegant appearance. This article makes a comparative analysis of the lacquer art of Han and Song dynasties, which is of certain reference value for correctly evaluating the art value of lacquerware in the two periods.