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算起来,我与绘画结缘已有30余年。从少时因兴趣开始画画,到进美术学院接受正规系统的基础训练,再到在专业院校从事美术教学,其间做了许多与绘画有关和无关的事儿,但究竟没有离开画画的主线,只是忽左忽右,始终保持着一种与绘画若即若离的状态。在绘画圈的进进出出透露了我对绘画的松懈和怠慢,不入主流而走在边缘倒也吻合我性格上的疏静散淡。经常地、客观地以不同的心态、不同的视角观看绘画,更有利于看清绘画在现代社会中的文化身份,并
Looking back, I have been with the painting more than 30 years. From the time when he started to draw because of his interest, he went to the Academy of Fine Arts for basic training in the formal system and then to the art teaching in specialized institutes. In the meantime, he did many things related to painting and nothing but did not leave the main line of painting , Just flicker left and right, and always maintain a state of hesitation with the painting. In and out of the painting circle revealed my laziness and neglect of painting, which was not in the mainstream but walking down the edge, which also fits in with my personality. From time to time, objectively observing paintings with different attitudes and perspectives is more conducive to seeing the cultural identity of painting in modern society and