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音乐作品因所表现的内容不同,其结构类型千变万化,高潮所处的结构位置及持续的时间亦不相等。在大型的曲式中,高潮常以“高潮面”或者“高潮段”的形式出现;中小型音乐作品,一、二个乐句、乐节、长音、高音者强音都可能形成高潮,谓之“高潮句”或“高潮点”。歌曲的高潮绝大多数由“点”、“句”构成。伴奏音乐中如何体现出歌曲的乐意,并处理好这一扣人心弦的“闪光点”,对于每一位曲作者、伴奏者或配器者来说,都至关重要。高潮在各类音乐作品中都占有十分重要的位置。它从形式到结束,大致要经过以下几个阶段:准备→(冲刺)→高潮→降落。
Due to the different contents of the musical compositions, the types of the structures are varied and the positions of the climax and the duration of the climax are not equal. In large-scale music, the orgasm often appears in the form of “climax” or “climax”; small and medium-sized musical works, one or two phrases, musical festivals, long-syllables and loudspeakers may all form the climax The “climax sentence” or “climax point.” Most of the climax of the song consists of “point” and “sentence”. It is important for each songwriter, accompanist or disco to show how the music accompaniment is and how to deal with this exciting “flash point” in accompaniment music. Climax in all kinds of musical works are occupying a very important position. From the form to the end, it goes through the following stages: Preparation → (Sprint) → Climax → Landing.