论文部分内容阅读
福建厦门市“金莲升高甲剧团”创作演出的《金刀会》蜚声南国,轰动京城,至今屡演不衰。 看演出,读剧本,我的最初感受是:《金刀会》摒弃了流行的玩古弄今的“戏说”,藉古讽今的“胡说”以及取媚于俗,垂涎于钱袋的对戏曲本体的任意践踏。剧作家是在当代思想的制高点上,去解读一段不再重复的历史,在尘封的历史深层,解脱陈旧观念的套索,开掘出功于当代的历史精神。最终充分调动高甲戏一切艺
Fujian’s Xiamen City, “Golden Lotus A” performance performance of the “Golden Knife” renowned Southland, sensational capital, has repeatedly played not bad. To see the performance, read the script, my initial feeling is: “Gold Knife” to abandon the popular play the ancient “play”, by ancient irony “nonsense” and obedient to the vulgar, coveted the purse Any trampling of the opera’s ontology. In the commanding height of contemporary thought, the playwright is to interpret a period of no longer repeated history. In the dusty history, the playwright releases the lassitude of old ideas and digs out the historic spirit of the contemporary era. Ultimately fully mobilized all the art of high A play