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目前工艺美术领域在创作上存在两个误区,其一:在题材选择上范围狭窄,不少行业仍然停留在移植模仿历史上已经广为人知的少数几幅名画上。诸如“清明上河图”比比皆是,在同一个展览会里出现用刺绣、挂毯、木雕、漆刻、纸刻等等,有的全图表现,有的局部表现。似乎除此没有别的可表现了。再如“八十七神仙卷”同样也是如此,现有木雕、铜铸浮雕,甚至还有想用竹丝编织……这种贫乏的创作思路实在令人担忧!虽然在移植中,由于运用了不同的工艺手段,花费了相当的时间与人力,也出现个别
At present, there are two mistaken ideas in the field of arts and crafts. One is the narrower scope of theme choices, and many industries still remain in the portrayal of a few famous paintings that have been widely known in history. Such as “Riverside Pictures of Qingming” abound, appeared in the same exhibition with embroidery, tapestries, wood carving, lacquer, paper carving, etc., some full-image performance, and some local performance. It seems that there is no other performance. Another example is the “eighty-seven immortal volume” the same is true, the existing wood carvings, bronze relief, and even want to use bamboo weaving ... ... This lack of creative thinking is really worrying! Although the transplant, due to the use of Different techniques, spending considerable time and manpower, also appeared individually