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石涛早年山水师法宋元诸家,画风疏秀明洁;晚年用笔纵肆,墨法淋漓,格法多变。存世作品有《石涛罗汉百开册页》《山水清音图》《竹石图》等,著有《苦瓜和尚画语录》。他对画松有着特殊的偏爱。据考证,石涛画的松树,得法于黄山,大致有两种画法:其一是平坡之松,松干多挺直,松针较宽,短促出笔,略带圆弧形,六七笔成一组,具自然生态之趣;其二是悬崖高山之松,松干多以斜出取势,盘曲瘦硬,松针细长刚劲,用墨干而浓,
Shi Tao early years landscapes Song and Yuan dynasties, style Shuixiu Ming Jie; old pen with Stanford, Mo law dripping, Gefa changeable. His surviving works include “Shi Tao Lohan hundred open album” “landscape sound map” “bamboo” and so on, author of “bitter gourd monk quotes”. He has a special preference for painting pine. According to research, Shitao’s painting of pine trees, in Huangshan, there are roughly two kinds of painting: one is flat slope pine, pine and more straight, pine needles wide, short pen, slightly arc, sixty-seven pen Into a group, with the natural ecological interest; the second is the cliffs of mountain pine, pine stems to take advantage of more inclined, hard and thin plate, pine needles slender stiff, with ink dry and concentrated,