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法国新小说代表作家罗布·格里耶被一些评论家称为“视觉派”的代表,他坚持视觉主义的创作原则,借用人物视觉感知外部世界,并把感知到的信息传递给读者,将情感凝聚成视觉图象。小说《嫉妒》则很好的运用了视觉主义的创作原则,整部小说完全建构在视觉活动之上,表现了文学的电影化倾向,呈现出以下艺术特色。一、叙述者摄影机式的视角《嫉妒》是一部完全建构在视觉活动之上的小说,小说内容纯粹由叙述者所见画面组
Rob Grieye, the French novel novelist, is described by some critics as the representative of “Visual School ”. He sticks to the principle of visualism creation, borrows the characters’ visual perception of the outside world, and passes the perceived information to readers. Assemble emotions into visual images. The envy of the novel is a good use of the visual principle of creation, the entire novel is completely constructed on the visual activities, showing the tendency of the film’s cinema, showing the following artistic features. I. Narrator’s camera-style perspective “Jealousy” is a novel that is completely constructed on visual activity. The content of the novel is purely pictured by the narrator