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油画如诗如文,可兴、可观、可群、可怨。现代观念拓展、学科渗透,语言丰富中又夹杂着玄奥晦涩。再时下画风日益谨严,穷巧极工,大事雕琢。凡此种种,使我这个偏爱油画的人不知不觉有一丝疲惫感。 一日,看黄来铎油画,觉得畅快。 他的画,没有情节可解读,没有哲理可演绎。 他的画,少作意经心,多直抒胸臆。 小桥流水人家,冬雪秋月春花,信手拈来入画。就题材说来,似容易走入含蓄蕴藉、清新淡雅的婉约一路。但我想,题材并不决定风格,也不等同主题。山山水水,可表闲情雅趣,也可愤慨悲歌;花鸟草虫平时可娱之物,在杜甫却有“感时花溅泪,恨别鸟惊心”
Poetry such as painting, can Xing, considerable, group, can complain. The development of modern concepts, subject penetration, language rich and mixed with mysterious obscurity. Nowadays, the style of painting is increasingly cautious, and the work is crafty and crafty. All these kinds of things make me a fan of people who love oil painting unwittingly. One day, look Huang Laoduo oil painting, feel fun. His paintings can be interpreted without plot, without philosophical deduction. His paintings, less meaningless, more straightforward expression. Bridge water people, winter snow Moon Spring flowers, come in draw. As far as the subject matter is concerned, it seems easy to go into subtle implication, fresh and elegant graceful all the way. But I think, theme does not determine the style, not the same as the theme. Mountains and rivers, can leisurely elegance, can also be indignant at the sad song; birds and insects usually entertaining things, but in Du Fu there is “flu flower splash tears, hate other birds startling”