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戏曲艺术有数百年的历史,它曾经成为我国舞台上占主导地位的艺术。但是,面对着瞬息万变的现代社会生活和人们日益丰富的审美需求,它在内容和形式上都表现出陈旧感。由于戏曲本身的局限性暴露得越来越突出,由于它在与新兴艺术的竞争中处于不利地位,所以陷入了困难的境地。但是,我们没有理由把目前戏曲的危机加以夸大,更不能因此对戏曲艺术的生存和发展产生怀疑和动摇。应该看到,目前的危机更多地是表现在一些古老剧种的衰落上面,它对那些处于上升时期的剧种并没有构成严重威胁。因此,我们应对振兴戏曲艺术抱有信心,从声腔剧种发展的
With hundreds of years of history, opera art has become the dominant art in our country. However, faced with the ever-changing modern social life and people’s ever-increasing aesthetic needs, it shows an old-fashioned sense of content and form. Due to the increasing exposure of the limitations of the drama itself, it has been in a difficult situation due to its disadvantageous position in competition with emerging art. However, we have no reason to exaggerate the crisis of the current drama. Nor should we therefore doubt and shake the existence and development of opera art. It should be noted that the current crisis is more manifested in the decline of some ancient operas, which poses no serious threat to the operas in their ascent. Therefore, we should have confidence in rejuvenating the art of opera and developing from the soundtracks