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戏剧表演的理论和实践呈现出多种形态,但是,有一个最基本的概念——心理和形体行动的统一——这是无论什么表演观念和主张都不可能抛弃的,也是作为演员从一接触到剧本角色开始就要进行的、并且贯穿始终的一个过程,也就是我们常说的“在假定的情境中,用自己的身心去塑造一个假定的角色。” 演员用自己的身心去塑造别人(角色)的过程,就是一个逐步使心理的、形体的行动达到统一的过程。这其实是一个老生常谈的话题,但它永远不会过时。
There are many forms of theory and practice of theatrical performances, but one of the most fundamental concepts - the unification of mental and physical actions - can not be discarded no matter what the performance ideas and propositions are, and also as an actor from one touch To the role of the script began, and throughout the process, which we often say “in the hypothetical situation, with their own body and mind to create a hypothetical role.” Cast with their own body and soul to shape others ( Role) process, is a gradual psychological, physical actions to achieve a unified process. This is actually a commonplace topic, but it will never be outdated.