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戏曲改革的实践昭示我们:新世纪传统戏曲的新生或日新戏曲的诞生,其突破口就在于音乐的整体性变革,即戏曲音乐的现代化。”那么,戏曲音乐的现代化应该包含哪些内容呢?我认为,至少应包含以下四个方面:一、人的观念的现代化,我们企盼的戏曲音乐的现代化,不是一个纯自然物的出现,它首先是人的创造物。因此,没有人的观念的现代化,去谈戏曲音乐的现代化,只能是隔靴搔痒。目前,我们正处在一个伟大变革的时代,人类生活的各个领域正在发生着巨大的变化,科学技术的日新月异,人们生活方式、生活内容的日趋丰富以及文学艺术品种的不断拓展,已使得大众对艺术的欣赏趣味、美学观念得以不断提高。因而,作为表现生活感情
The practice of drama reform shows us: the birth of new drama or new Japanese drama in the new century, the breakthrough lies in the holistic transformation of music, that is, the modernization of opera music. So, what should be the content of the modernization of opera music? I think we should at least include the following four aspects: First, the modernization of people’s concept, we hope that the modernization of opera music is not a purely natural thing, it is People’s creation.Therefore, no one’s modernization of concept, to talk about the modernization of opera music can only be tickle.At present, we are in a time of great change, human life is undergoing tremendous changes in various fields, With the ever-changing science and technology, people’s lifestyle, the increasingly rich content of life and the continuous expansion of literary and artistic varieties have made the general public appreciate the art and aesthetic concepts can be continuously improved.Therefore, as a manifestation of the feelings of life