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宋存学在《戏剧主体性失落之我见》(载《戏剧评论》1988年二期)一文中说,戏剧不能把观众召进剧场,究其原因,就戏剧本身来说,就矛盾的主要方面来说,就是主体的失落。造成戏剧主体失落的主要原因:一、高层文化与大众文化的落差。作为少数知识分子占有知识,对艺术有很强的鉴赏力,但就全民上来看,文化层次仍为低下。审美水平,形成难以弥补的落差。对喜剧应予关照。二、舞台与观众的落差。有些戏剧无视观众的审美情趣,用高台教化的方式,用
In his article, “My Opinion on the Loss of Subjectivity in Drama,” in Song 1988 (2), Song Cunxue said that drama can not call the audience into the theater. The reason for this is that in terms of the drama itself, in terms of the major aspects of the conflict That is the loss of the main body. The main causes of the loss of the main theater: First, the gap between high-level culture and popular culture. As a minority of intellectuals possession of knowledge, art has a strong appreciation, but on the whole people point of view, the cultural level is still low. Aesthetic level, the formation of an unpredictable gap. Comedy should be taken care of. Second, the gap between the stage and the audience. Some drama ignores the audience’s aesthetic taste, using the way of teaching, use