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一一这部片子是已故台湾电影大师杨德昌的最后一部作品。全片长达173分钟,从台湾一个家庭的视点出发。阐释一个人的童年,青少年,成年,中年,死亡和新生的婴儿对生命的延续。片子中着力刻画了对话中人物的画外空间,多用长镜头,全片没有一个特写镜头,体现出了深厚的导演功力。本文就其中的画框构成美进行一些分析并以此对于此片的构成美,以及对其内容的表达,对人物关系,人物内心的外化进行分析。
This film is the last piece of the late Taiwanese film master Yang Tak-chang. The whole film up to 173 minutes, starting from the perspective of a family in Taiwan. Explain the continuation of life in one’s childhood, adolescence, adulthood, middle age, death and newborn infants. Focused on depicting the characters in the dialogues outside the painting space, the use of long shots, the whole piece without a close-up, reflecting the depth of the director skill. In this paper, we analyze some of the beauty of the picture frame and analyze the beauty of the film, the expression of its contents, the relationship between the characters and the externalization of the characters.