论文部分内容阅读
当下民族曲艺走进一个“怪圈”:营业性的商演处境尴尬,举步维艰;而这之外的“命题演出”、“庆典晚会”、“社区文化广场”、“企业文化辅导”及其“婚庆司仪”类的曲艺边缘活动却如火如荼。面对以剧场为活动半径的“精英曲艺”的不断蜷缩和以社会文化为轴心的“大众曲艺”的日益扩展,笔者认为,民族曲艺艺术只有无条件地投身到社会文化的大阵营,才能实现真正意义的与时俱进——
The current national folk art into a “strange circle ”: commercial performance in an awkward position, struggling; and other “proposition ”, “celebration party ”, “community culture square ”Corporate Culture Counseling“ and ”Wedding Ceremony “ category of folk art edge activities are in full swing. In the face of the ever-curling up of the ”elite folk art“ with the radius of the theater as the active activity and the ”public folk art" with the social culture as its axis, the author believes that only by unconditionally engaging ethnic folk art in social culture Camp, in order to achieve real meaning of keeping pace with the times -