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二十世纪80年代以来,中国的发展令世界震惊,但有人认为当我们还沉醉于现代社会带来的翻天覆地的变化时,我们的电影是否具有现代性。中国的历史决定了我们必然是在这样一个语境中去讨论现代性。当我们敞开大门欢迎世界各国学者和先进思想涌入之时,我们被置于怎样的一种地位呢?本文通过对比中西方经济文化体制的差异,以及对当今国内电影界关于张艺谋电影的批判进行探讨,试图从文化的角度讨论中国电影的现代性。
Since the 1980s, China’s development has aroused the world’s shock. However, some people think that when we are intoxicated with the earth-shaking changes brought about by modern society, our films are modern. China’s history determines that we must discuss modernity in such a context. When we open the door to welcome the influx of scholars and advanced ideas from all over the world, what kind of position are we placed in? In this paper, by contrasting the differences between Chinese and Western economic and cultural systems and criticizing Zhang Yimou’s films in today’s domestic movie industry Explore, try to discuss the modernity of Chinese cinema from the perspective of culture.