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民国时期的中国画坛,上承清代“以地别为派”的余绪,以北京、上海、广州等大城市为中心,形成三大地域性的绘画流派,即以金城为首的京派、以吴昌硕为首的海派和以高剑父为首的岭南派相比较于具有较为浓郁商业活动色彩的海派和以提倡“折中中西”为鲜明艺术主张的岭南派,京派则是中国传统绘画的大本营。在京派绘画的发展和民初的北京画坛,有一位举足轻重的人物,他就是:
In the period of the Republic of China, the Chinese painting circles and the Qing Dynasty “Yu-fai faction” Yu Xu, Beijing, Shanghai, Guangzhou and other big cities as the center, the formation of three major regional schools of painting, that is, led by Jincheng Beijing School , Lingnan School headed by Wu Changshuo and Lingnan School headed by Gao Jianpao compared with the Shanghai School with a more rich commercial activities and the Lingnan School advocating the idea of “centering on the Chinese and the Western Regions” as distinct arts. The Beijing School is a traditional Chinese painting The base camp In the development of the Beijing School Painting and the Early Years of Beijing Painting Society, there is a pivotal figure who is: