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在过去的二十年里,图像以强劲的势头成为德语圈文化学与人文科学研究的焦点,同时也成为哲学思考的重心。这种对图像的兴趣应不仅仅是科学领域的一个时尚现象,事实上还涉及一种实际的认知兴趣。因为图像以其多样化的形态(照片、绘画、电影与电视画面、图标、形符等等)成为21世纪生活世界里不可或缺的内容。尤其是所谓基于计算机或计算机生成的“数字”图像已在世界范围内造成了对影响现实生活的图像的膨胀式复制。这些图像已成为全球化世界中不可
In the past two decades, the image has become a focal point in the study of German circle science and humanities with a strong momentum, and it has also become the focus of philosophical thinking. This interest in images should not only be a fashion phenomenon in the field of science but in fact involve a real interest in cognition. Because images become indispensable in the 21st century life in their diverse forms (photographs, paintings, movies and TV pictures, icons, symbols, etc.). In particular, the so-called computer-based or computer-generated “digital” images have caused an influx of images of the real life world wide. These images have become a global one