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若干年来,我陆陆续续搞了一些纸本重彩画。之所以涉足重彩,并非偶发奇想、心血来潮,其实是有一个相当漫长的过程。自1989年有幸考入军艺,科学严谨而又系统的训练,不仅让我夯实了基础,也拓宽了我的视野,尤其是在色彩的训练上,更让我入迷、更让我获益。学得多了,见得多了,想法也就多了。于是,便开始尝试在原来黑白木刻的基础上搞套色木刻。由此,走进了色彩的殿堂;由此,开始用色彩的眼睛看世界。大家知道,套色木刻在草图阶段,是需要反复推敲的,一下画若干张色彩稿是很正常的。画这些色彩稿的过程,其实就是我后来画重彩画的肇始。
Over the years, I have engaged in some paper heavy color painting. The reason why it is not a fan of fantasy is that it is a rather lengthy process. Since 1989, I was fortunate enough to be admitted to military art. Having rigorous and systematic training in science has not only strengthened me and broadened my horizons, but also benefited me even more in color training. Learn more, see much, ideas will be more. So, began to try on the basis of the original black and white woodcut color enchantment. As a result, the color of the temple into; thus, began to see the world with color eyes. As we all know, the chromatic woodcutting is in the sketch phase, which requires repeated scrutiny. It is normal for us to draw a number of color drafts. The process of drawing these color manuscripts is actually the beginning of the painting that I later painted.