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1898年,戊戌维新运动的领袖之一裘廷梁发表了《论白话为维新之本》,明确将“白话”(现代汉语)推上了中国现代变革的中心。由它所开启的汉语现代化历程,迄今已百余年。而通常认为,以胡适《改良文学刍议》为首,所铺就的现代汉语载动的五四新文学运动及其百年身,已建成为气势、规模、内蕴皆蔚然大观的“中国现当代文学”学科。由于各种复杂的历史、政治、经济原因,虽同为汉语写作,在时空更替变换中,中国现当代文学也分期、分流与分隔经年。尽管“汉语”与“新文学”之间的关系如此稠密一体,但在过往的研究视野中,往往最难实现的就是如何真实地探味这两者的历史
In 1898, Qiu Tingliang, one of the leaders of the Reform Movement of 1898, published “On Vernacular Translation as the Basis of Regeneration” and explicitly put “Vernacular” (Modern Chinese) at the center of China’s modern transformation. It has been opened by the Chinese modernization process, so far more than a hundred years. It is generally believed that the modern Chinese-language movement of May Fourth New Literature and its centennial body, led by Hu Shih’s “Opinions on Improving Literature,” have been built up as “magnificent” and “modern” in contemporary China Literature “discipline. Due to various complicated historical, political and economic reasons, although both are written in Chinese, in the transformation of time and space, Chinese modern and contemporary literature is also divided into periods, divided and separated by years. Although the relationship between ”Chinese “ and ”New Literature " is so densely integrated, it is often the hardest thing in the past to study how to truly explore the history of the two