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中国京剧院最近进一步对劳逸作了适当的安排,演员有了充分的休息和自修时间,大家都订了个人的业务进修规划,并且集体的业务锻炼时间也充裕了。每天上午,几乎全体演员都来院练功和吊嗓:院部的三个大院子里一片刀光剑影,屋内传出阵阵歌声,全院弥漫着浓郁的艺术空气。现在,京剧院都已实行了“两班制”,即演戏、排戏、练功、吊嗓、开会和集体学习等时间只占每天上午、下午、晚上等三个时间中的两个,另一个时间由个人自行支配。各团还根据具体情况规定了每月演出场数的指标。如一团规定每月以二十五场为限,其中主要演员演出十五场左右;二团规定根据排戏情况来调整演出场数,即:排演不紧张时
China Peking Opera Theater has recently made further arrangements for work and rest, with sufficient time for performers and self-study. All of them have set their personal plans for further studies and the collective business hours are abundant. Every morning, almost all the actors come to college for practicing and hanging their throats: the courtyard of the three large courtyard in a sword, the house came bursts of song, the courtyard filled with rich artistic air. Now that the Peking Opera Theater has implemented a “two-shift system”, that is, only two of the three times of morning, afternoon, evening and so on are required for acting, dramas, practice, hanging voice, meeting and group study. By the individual’s own control. The regiment also stipulates the index of the monthly performance field according to the specific circumstances. Such as a regiment of 25 per month to the limit, of which the main performer performed about fifteen; two regiment regulation according to the situation to adjust the number of performances, namely: the rehearsal is not tight