有关小提琴的运弓问题(二)

• 作 者: 俾托维茨基 张洪岛
• 出 处: 小演奏家
• 发表日期: 2011年07期
• 关键词: 运弓 持弓 中弓 越弦 臂部 演奏法 根弦 法图 张洪岛 腕部

持弓法和运弓法图1示拉弓尚在弓根时的情形。图2示拉弓已经到弓的中部的情形。图3示拉弓已经到弓的尖端情形。注意1、2、3各图所示在拉弓的各阶段中弓的上下是始终保持一直线的。图4示弓的尖端在G弦上的情形。注意臂部的抬起。学习者常常对镜仔细观察着自己拉奏时动作是否得当,必须找出一定的根本困难所在,不然便会找不到改正的法子,譬如有下列这样的两个音符,试问学习者这两个音要用两整弓拉出来,(见谱例)其中根本的困难在什么地方?也许他(大概多数人都会)

Hold the bow method and bow method Figure 1 shows bow bow is still the case. Figure 2 shows the bow has been bow to the middle of the situation. Figure 3 shows the bow has been bow to the tip of the situation. Note 1, 2, and 3 that the bow stays up-and-down in the various stages of drawing the bow. Figure 4 shows the tip of the bow on the G string. Pay attention to the lifting of the arm. Learners often carefully observe the mirror when they pull the action is appropriate, we must find out some of the fundamental difficulties, or they will not find a correct method, such as the following two notes, ask the learners of these two Tone to pull out with two bow, (see spectrum) Where is the fundamental difficulty? Maybe he (probably most people will)