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最近20年来,中国电视得到了前所未有的发展,从文艺到专题,从纪录到娱乐,各种电视艺术样式轮流登场,经历了从边缘走向中心,从非常态飞速发展到常态化发展日渐成熟的过程。作为文学样式的诗歌散文在新时期初曾有过全国性的勃兴,随后伴着“纯文学”的萧条也走向了衰退。而作为电视与诗歌散文结合的产物,电视诗歌散文既没有文学昔日的大红大紫、风风火火,也没有像某些电视形式那样具有持久的生命力,却似久卧床头的病人不住地呻吟,始终处于方生未死的尴尬境地。电视诗歌散文属于电视文学,按照《中国应用电视学》的解释,“将一篇好的散文作品,配上相应的画面和音乐,再
In the recent 20 years, China’s television has achieved unprecedented development. From the literature and art to the special topic, from record to entertainment, all kinds of TV art styles have taken turns taking turns and gone from the edge to the center. The rapid development from uncommon to the increasingly matured process of normal development . As a literary style poetry essays in the new era had a national boom, followed by the “pure literature” depression also toward recession. As a result of the combination of TV and poetry prose, television poetry essays have neither the great popularity of literature, the thriving life nor the vitality of certain TV forms, but the long-sleeved patient seems to moan, always in Fangsheng not die embarrassing situation. TV poetry essays belong to television literature. According to the explanation of “China Applied Television Theory”, "a good essay work, accompanied by the appropriate picture and music, and then