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二百年前即乾隆55年(1790),为了给皇帝祝寿(爱新觉罗弘历80岁),“浙江盐务承办皇会”,把一个来自安徽、唱二簧调为主的戏班送到了北京。这个戏班,就是此后在北京有一百多年演出史、对京剧的形成发展作出过重大贡献的三庆班。在三庆班进京之前的清代北京剧坛,已有多种戏曲声腔相继争胜。先是昆曲执剧苑牛耳,后有京腔(弋阳腔在北京的流变)崛起,出现过“六大名班,九门轮转”的盛况。乾隆44年(1779),魏长生再度以“川派”秦腔入都获得成功,“一时歌楼观者如堵,而六大班几无人过问或至散去”。三庆班原名“三庆徽”,这个“徽”字是说明它的根据地在安徽,主要支持者也是安徽盐商。三庆徽入京不久,即以高朗亭等人高超技艺博得“京都第一”的盛誉。据《消寒新咏》记载,乾隆
Two hundred years ago Qianlong 55 years (1790), in order to give the Emperor birthday (Aixinjueluo Hongli 80 years old), “Zhejiang salt undertakes imperial society”, the one from Anhui, singing two reverberation-based troupe Arrived in Beijing. This drama class is the history of the show more than a hundred years since then, the formation and development of Beijing Opera made a significant contribution to the three celebration class. In the Qing dynasty Beijing theater before the three celebrations went to Beijing, there have been many victories in various operas. The first Kunqu opera theater cattle ear, after the rise of Beijing cavity (Yiyang cavity in Beijing), there have been “six famous class, nine rounds” grand occasion. In the 44th year of Qianlong (1779), Wei Changsheng once again succeeded in sending “Chuan School” into Shaanxi. The three festivals were formerly known as the “Three Celebration Emblem”. The word “emblem” is an illustration of its base in Anhui and its main supporter is Anhui Salt Merchants. Three Qing emblem into Beijing soon, that Gaolang Ting and others superb art won the “Kyoto first” reputation. According to “cold new Wing” records, Qianlong