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音乐是社会文化的产物,是人们对客观世界的真实反映,它不能脱离人类社会独立存在。因此,在进行音乐理论研究的时候,单纯从形式(即曲式结构、和声体系、配器方法等)和技术(即演奏或演唱技术)方面来探讨,较为片面。本文以中、外钢琴作品为研究对象,运用音乐美学的观点和方法,尝试从社会文化的角度分析和探讨中、外钢琴作品在审美意境上的区别、联系。
Music is a product of society and culture and a true reflection of the objective world. It can not be separated from human society independently. Therefore, during the study of music theory, it is more unilateral to explore purely from the aspects of form (ie, music structure, harmony system, device method, etc.) and technology (ie performance or singing technique). Taking the Chinese and foreign piano works as the research object and using the viewpoints and methods of musical aesthetics, this article tries to analyze and discuss the difference and connection of the piano works in the aesthetic conception from the social and cultural perspectives.