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1 此岸, 亭台楼阁, 绿杨垂柳, 群芳竞秀, 风光委实漪妮。彼岸,山青水秀,曲槛回栏,百卉争妍,佳景更加引人。大凡勇于探索者,绝不满足于一岸风光。必将涉过湍湍急流,到达彼岸,探幽取胜,兼而偿之。过河,需要桥。 2 戏剧界确实需要一座桥。一些学府式的戏剧理论,往往从理论到理论,斯坦尼、布莱希特、梅邪荷德、亚却、劳逊,乃至柏格森……这个说,那个讲,旁证博引,阐发精深,唯独缺少联系当前艺术实践,给实践以指夕的“理”和“论”。
1 this shore, pavilions, green poplar weeping willow, Qunfang Jingxiu, the scenery is indeed Yi Ni. The other side, Shanqingshuixiu, curved threshold back bar, hundred flowers Zhengyan, Jiajing more attractive. Almost all the courage to explore, never satisfied with the scenery. Bound to involve turbulent rapids, to reach the other side, to explore to win, and pay. Cross the river, need a bridge. 2 The theater does need a bridge. Some of the school-based theory of drama, often from theory to theory, Steadily, Brecht, Meilhad, Asia, Lawson, and even Bergson ... ... That said, that speaks, circumstantial quotations, elaborate , Only lack of contact with the current practice of the arts, to practice the “righteousness” and “theory.”