论文部分内容阅读
某种意义上来说,去年的中国流行歌坛可以称之为“田震年”,因为这个行业去年发生的大部分重大事件都和田震有关。从去年春天她在南京怒掷话筒,揭开歌坛排行榜黑幕开始,包括随后向某媒体索赔100万的官司、中国首个国内女歌手的全国巡回演唱会,以及岁末全北京交通瘫痪的那天晚上她在首体的个唱,都彰显着这个行业的躁动、艰难以及杰出从业者的执着、勇气和难言的
In a sense, last year’s Chinese pop music scene could be called “Tian Zhenian,” because most of the major events that took place in this industry last year were related to Tian Zhen. From the spring of last year she furiously nailed his microphone in Nanjing to unveil the pop charts, including a lawsuit that later claimed a million yuan from a media agency, a national concert tour of China’s first domestic singer, and a paralyzed Beijing traffic at the end of the year In the first night of her singing, all highlight the restlessness of the industry, hardship and outstanding practitioners perseverance, courage and unspeakable