论文部分内容阅读
在第二届上海戏剧节中,上海沪剧院三团演出的大型现代戏《姊妹俩》(余雍和编剧,杨文龙导演),以独特的构思、炽烈的激情和发人深思的哲理,扣动人们的心弦。求新,求真,尤其是追求思想的深刻性,是《姊妹俩》引人注目的特点。在戏曲现代戏的创作中,长期以来存在着两种常见的弊病:或者一般化地反映一些新人新事,笔触停留在生活洪流的表层,缺少使人思考、回味的东西;或者从概念出发,演绎出两种思想的激烈冲突,人为地拔高正面人物,枯燥乏味,很难动人。《姊妹俩》的创作和演出则十分注意避免这两种弊病。作品不但善于捕捉当代生活中有时代特点的美,而且致力于开掘生活的底蕴,从生活中提炼出
In the second session of the Shanghai Theater Festival, the sisters (Yu Yong and screenwriter Yang Wenlong), the large-scale modern opera “Three Sisters” performed by the Shanghai and Shanghai Theater, have their unique ideas, blazing passion and thought-provoking philosophy, Heart chord. Innovation, truth-seeking, especially the pursuit of the profound nature of thought, is the compelling feature of Sisters. There are two common shortcomings in the creation of modern drama in the opera for a long period of time: either generalizing some newcomers or newcomers, leaving the brushwork on the surface of the flood of life, lacking in thinking and aftertaste; or starting from the concept The two fierce conflict of ideas, artificially high positive figures, boring, it is difficult to move. The creation and performance of The Sisters paid great attention to avoid these two disadvantages. His works are not only good at capturing the beauty of the times in contemporary life, but also devoting themselves to digging the inside details of life and extracting from life