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魏明伦先生的《当代戏剧之命运》(在“戏剧”二字前似应加“中国”二字更准确),实际上谈论的是当今我国戏剧存在着危机,以及如何正确认识和应对危机这个近二十年来业内人士普遍关注的热点问题。它看似陈旧,却常说常新,越说认识越深刻。我以为,总体看,魏先生谈出了许多精辟的观点,见地非同凡响;但某些论述却不够具体翔实,个别立论尚有
In fact, Mr. Wei Minglun’s “The Fate of Contemporary Drama” (more accurately, the word “China” should be added before the word “drama”) actually talks about the crisis in present drama in our country and how to correctly understand and deal with this crisis Over the past two decades the industry generally concerned about the hot issues. It looks old-fashioned, but often said that often new, the more profound understanding. I think, on the whole, Mr. Wei talked a lot of brilliant views and made extraordinary appearances. However, some of the arguments are not specific and informative.