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讨论培根作品所呈现的意象逃不开谈论作品与图像的关系,这是一个时代特征。绘画同图像(在培根的那个时代更准确的是作为图像的绘画与摄影)的关系如同一对恋人,时而胶着,相互渗透,时而各自为营,相互攻击。但从根本而言,二者是个互为影响的过程,一种你中有我,我中有你的关系。而在摄影还未出现的时候,绘画自身也作为图像对绘画产生了影响,这点早已被艺术史家所论证。到了当今这个图像泛滥的时代,绘画与图像本身的关系变得更为密切或是更加疏离,艺术家在创作中对图像的
Discussing the images presented by Bacon’s works can not escape from discussing the relationship between works and images, which is a characteristic of the times. The relationship between painting and the image (more accurately at the time of Bacon as the painting and photography of the image) is like a pair of lovers, sometimes glued, infiltrated, sometimes battering and attacking each other. But fundamentally speaking, the two are mutually influential processes, one of whom has me and I have your relationship. However, when photography has not appeared yet, the painting itself has also exerted an influence on painting as an image, which has long been argued by art historians. By now, the era of image overflowing, the relationship between painting and the image itself has become more or less alienated. In the process of creating images,