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经常出入首都几个戏曲剧场的人们,总会遇到一些外国青年饶有兴趣地观看台上的演出。这些青年是为探索中国戏曲之迷而来进行深造的各国留学生。法国姑娘帕斯卡尔小姐(她的中文名字为季韵茹)就是其中的一个。她个子不高,经常披散着一头金发。我不认识她之前就听说过她的名字,都说她快变成京剧行家啦。有一次,她穿了件蝙蝠袖花毛衣,下身却穿条蓝色棉毛练功裤,光着脚板蹬了双不知从哪弄来的圆口黑布鞋。我们见了觉得好笑:“帕斯卡尔,这双鞋显得太瘦小了吧?”她摇晃了一下脚尖,纵起肩膀乐了起来:“这也好,不用绑跷了。”她对汉语反应之灵敏,对答之流利,而且学会使用我们京剧界的“行话”了,真使我感到吃惊。
People who frequently visit theaters in several capitals of the capital will encounter some foreign young people who are interested in watching the performances on stage. These young people are international students studying for the sake of exploring the mysteries of Chinese opera. One of them is French girl Miss Pascal (whose Chinese name is Ji Yunru). She is not tall and often has a blond hair. I did not know her before I heard of her name, said she quickly became a Beijing Opera expert friends. Once, she wore a bat sleeve flower sweater, the lower body is wearing a blue cotton wool practice pants, barefoot pedal double I do not know where to get round black cloth shoes. We met funny: “Pascal, these shoes are too thin, right?” She shook her toe, shoulders upright: “This is good, do not tie the sledge.” She was sensitive to the Chinese response , Fluent in the answers, and surprised me by learning to use the “jargon” of our Beijing opera world.