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舞蹈交响诗《游戏》是德彪西创作生涯中最后一部大型管弦乐作品,亦是其毕生所追求的“一种灵活的几乎无法写下来”之音乐创作观念的完美诠释。通过对《游戏》中音高、音色、织体等诸多音乐元素的剖析,试图总结《游戏》的创作观念与技法,并及结构观念产生的根源与创作技法的演变,进而探究德彪西艺术风格之演变。
The dance symphonic poem “Game” is the last large-scale orchestral work of Debussy’s creative career. It is also the perfect interpretation of the musical concept of “a flexible and almost impossible to write down” that he pursued throughout his life. Through the analysis of many musical elements such as pitch, timbre and texture in “Game”, this paper attempts to summarize the creation concept and technique of “game”, and the origin of the concept of structure and the evolution of creative techniques, and then explore the art of Debussy Evolution of style.