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人们倾向于认为“佛像”是一种标准件,认为所有的佛首都是一个模样,基本没有什么表情。在所有接受佛教的国家中,后期的佛像大体如此,但是早期的佛像变化很大,不能一概而论。在本文中,我打算描述一种佛造像的非对称技术,也就是一种让佛像左右两边的面容有所不同的做法。在远东,这种技术运用于公元5至10世纪。不过,在详细说明这些佛首的不同样
People tend to think that “Buddha Image ” is a standard, that all the Buddha’s capital is a look, basically no expression. In all Buddhistic countries, the late Buddha statues were generally similar, but the early Buddha images varied widely and could not be generalized. In this article, I intend to describe an asymmetric technique of Buddha statues, a practice that makes the faces of the Buddha’s left and right sides different. In the Far East, this technique is applied from the 5th to the 10th century AD. However, a detailed account of the different aspects of these heads of Buddha