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作品点评关宁国的书法挥洒自如,落落大方。楷书从晋唐入手,直追魏碑墓志;行草书以二王为主,兼习张旭、怀素及日本《三笔三迹》,并探临宋元明清大家名帖;篆书将金石文字融于笔墨。他的楷书,结体宽博而骨力遒劲,端庄敦厚;他的草书,行笔急速,线条动荡,意态狂乱,但笔法又处处有法度;他的篆书,则从笔墨间流露出刚柔相济的中和之美。关宁国的书法中有很强的感染力,从中能感受到他内心的情感冲突。他的作品整体呈
Works Comments Guan Ningguo calligraphy sway freely, graceful. Beginning with the Jin and Tang dynasties, regular script begins with the epitaph of Wei Bei; cursive cursive writings dominate the two kings and study Zhang Xu, Huai Su and Japanese “three pen and three tracks” pen and ink. His scriptures are broad and strong, dignified and dignified; his cursive cursive writing, his lines are upset, the lines are turbulent and the state of mind is frenzied, but his writing is falsified everywhere; his seal scriptures show a rigid, And the beauty. Guan Ningguo’s calligraphy has a strong appeal, from which he can feel his inner emotional conflict. His work is overall presented