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钢琴演奏技术的发展与音乐风格的发展有着密切联系.在拨弦古钢琴时期.由于乐器结构与发声原理均不需要也不可能承受太大的重量.演奏方法上则以手指动作为主.十八世纪末十九世纪初.拨弦古钢琴逐渐被击弦现代钢琴所代替.随着钢琴结构的改进,音量的增强和音域的扩大.钢琴演奏技术也由以手指运动为主的音阶、琶音发展到双音、八度、和弦、大跳等等多样的、复杂的演奏技术.要求钢琴演奏的发力部位从指尖开始,成为包括腕、肘、臂、腰、脚在内直至全身整体运动的结合.音乐是一种表演艺术.音乐表现是以表现音乐的发生和运动、表现音乐的各种不同组合为基础的.美妙生动的发音是音乐表现力的基本要素,是演奏者通间最高艺术境界的重要条件.不言而喻,没有优美动听的声音.再好的乐曲、多么熟练地技巧也难以收到好的效果.因此.研究发音的质量,研究钢琴的触键技巧是钢琴演奏的最基本而又最重要的课题之一.然而,一味追求快速、华丽、响亮的音响效果而忽略声音的训练.不重视研究丰富多彩的力度变化和音色变化的现象在学生中是屡见不鲜的,他们的演奏使音乐千篇一律,缺乏感染力.为此,本文拟就钢琴发音的关健因素.触键方法的某些问题加以探讨,希望对钢琴演奏与教学有所收益.
The development of piano performance technology and the development of musical styles are closely linked.In the plucked piano era, due to the musical instrument structure and sound principle are not required and can not afford too much weight.When playing on the finger movement is mainly ten At the end of the eighth century and the beginning of the nineteenth century, the ancient pianos of pianos were gradually replaced by the modern pianos of the striking strings.As the structure of the piano was improved, the volumes of the pianos were increased and the range of the pianos was expanded.Piano playing technique was also composed of finger-driven scales, arpeggios The development of dual-tone, octave, chord, big jump and so on a variety of complex performance techniques require the power of piano parts start from the fingertips, including the wrist, elbow, arm, waist, feet, including the whole body as a whole Movement.Music is a kind of performing arts.Music performance is based on the performance of music and the movement, the different combinations of performance music.The wonderful vivid pronunciation is the basic element of musical expression, It is self-evident that there is no beautiful and pleasant voice, and no matter how good a piece of music is, it is difficult to receive good results with skillful techniques. Therefore, it is necessary to study the quality of pronunciation , The study of the piano’s touch-key technique is one of the most basic and important issues of piano performance.However, the blind pursuit of fast, gorgeous, loud sound and ignore the sound training.Do not pay attention to the study of a variety of intensity changes and timbre The phenomenon of change is not uncommon among students, their performance makes the music the same, lack of appeal.Therefore, this article intends to discuss the key factors of the piano pronunciation.Touch some of the problems to be discussed in the hope of piano performance and teaching Benefit.