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周祥林(北京):我想讲三个问题。第一是关于理论的。我认为理论应分为三种,即纯理论、经验理论与随感性理论。纯理论带有前卫性及逻辑性与美学性,这种理论或不可以直接指导实践,但其价值却是至深的。书法史上如张怀瓘《书断》、窦(?)《述书赋》更接近这种理论。经验性理论则是创作者在实践中总结出的一种理论,这种理论往往没有预导作用,相反是对已经发生过的活动的一种总结,比较容易指导创作,孙过庭《书谱》、米芾的《海岳名言》可归为此类。第三类随感性,这种或许称不上理论,往往只是感想的文字记录,但他又确实具有理论的价值,它的作用就在于能直接指导实践。如赵孟府的《兰亭十三跋》,近人齐白石的诸多题画语,亦与此相似。
Zhou Xianglin (Beijing): I want to talk about three issues. The first is about theory. I think the theory should be divided into three kinds, namely, pure theory, empirical theory and random theory. Pure theory with avant-garde and logical and aesthetic, this theory or can not directly guide practice, but its value is deep. In the history of calligraphy, such as Zhang Huai 瓘 “book broken”, Dou (?) “Shu Fu” closer to this theory. Empirical theory is a theory summarized by the creators in practice. This theory often does not have the function of pre-guide. Instead, it is a summary of the activities that have taken place and is easier to guide the creation. Booklet of Sun Chaotian “Mi Yue’s” Hai Yue Ming “can be classified as such. The third kind of randomness, which may not be called theory, is often just a verbal record of feelings. However, he does have the theoretical value. Its role lies in direct instruction of practice. For example, Zhao Mengfu’s ”Lan Ting Thirteen Postscript", Qi Baishi’s recent inscriptions, also similar to this.