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我与韩鹏宇算是多年的朋友。无论是观摩他的教学,抑或是参观他的创作,都是一种欣赏的过程。在这过程中,我常常被他投入的工作状态所打动。而支撑他状态的东西究竟是什么,我许久都没有找到答案。2012年,我在观众之前率先领略了《红烛颂》的风采。不需作者本人解释,我便从画作中找到了长久以来支撑他在艺术之旅中前行的力量。如今,我更愿意把它定义成一种“使命感”。这幅《红烛颂》采用了纪念碑式的三角形构图,大气沉稳;伦勃朗式的光点法处理巧妙得当,使人物在夜色中形象鲜明生动。这是韩鹏宇所擅长的画面塑造方式,在黑与红、动与静、明与暗中构建起一个完整又和谐的优美画面。静静夜晚,深深庭
Han Pengyu and I have been friends for many years. Whether it is to observe his teaching, or to visit his creation, is a kind of appreciation process. During this process, I was impressed by the work status that he put into. And what is the thing that supports his state, I have not found the answer for a long time. In 2012, I took the lead in the audience before listening to the “red candles” style. Without the author’s own explanation, I found in my paintings the power that has long supported him in his artistic journey. Today, I prefer to define it as a “sense of mission.” This “red candle” uses a monumental triangular composition, the atmosphere calm; Rembrandt-style light point method cleverly handled, making the figure vivid and vivid in the night. This is how Han Pengyu is good at creating the picture and building a complete and harmonious beautiful picture in black and red, moving and static, light and darkness. Quiet night, deep court