【摘 要】
：
在中国水墨人物画的发展历史中,其于不同时代和不同地域环境下所表现出的丰富性和多样性值得关注。时至现当代,随着中国近两百年来复杂的社会形态更迭,伴随西方科学技术和人
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在中国水墨人物画的发展历史中,其于不同时代和不同地域环境下所表现出的丰富性和多样性值得关注。时至现当代,随着中国近两百年来复杂的社会形态更迭,伴随西方科学技术和人文思想的广泛传播,中国水墨人物画也发生着变化。其中,南方的浙派人物画与北方人物画作品各自形成了较为鲜明的特征,这些造型的地域性差异背后,实则存在着较为复杂的内环境和原因。
In the history of the development of Chinese ink figure painting, its richness and diversity in different times and in different geographical regions deserve attention. From nowadays to modern times, with the complex social changes in recent 200 years in China, along with the widespread dissemination of Western science, technology and humanistic thoughts, Chinese ink figures have also changed. Among them, the southern Zhejiang portraits and northern portraits have each formed a distinctive feature. Behind these regional differences, there are actually more complicated internal environments and causes.
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