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从动画艺术这一形式出现开始,生态便成为创作者关注和表达的重要题材,经由社会的演变和发展,生态所呈现和反应的内容也不尽相同。从欧洲实验动画短片到美国迪斯尼商业电影,从日本宫崎骏的系列作品再到中国近几年来的独立创作,无一不对生态问题进行着多角度的描写和控诉,创作者的忧患意识在作品中也淋漓尽致的得以展现。文章主要通过自然生态、社会生态以及人类的精神生态三个切入点剖析动画作品中所传递出来的生态忧患意识。
From the beginning of this form of animation art, ecology has become an important topic of concern and expression for creators. Through the evolution and development of the society, the content presented and responded by ecology is not the same. From European experimental animated short films to Disney’s commercial films in the United States, from the series of works by Hayao Miyazaki in Japan to the independent creation in recent years in China, they are all describing and prosecuting ecological problems from multiple perspectives. In the most vividly demonstrated. The article analyzes the awareness of the ecological crisis transmitted from animation works through three entry points: the natural ecology, the social ecology and the human spirit ecology.