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最近,开过戏曲表現現代生活座談会以后,現代戏多起来,成为文艺界大跃进新气象的特点之一。政治挂帅,为当前的政治斗爭和生产斗爭服务,响亮地在戏曲界喊起来,成为戏曲界前进的动力。現代戏受到新的观众——工农兵学商的喝采,演現代戏的人,也感到面带光彩。为什么演戏,这个观念也起了变化。在过去,有的人从学戏那天起,就是为着个人的和家庭的生活而奔波,唱紅了,生活得优裕些;倒运了,穷困潦倒,流浪街头的大有人在。这是传統的老观念,誰都觉得合理合法,无可責备。可是今年的戏曲界經过整風,反右,上山、下乡,演現代戏等一系列的
Recently, after the performance of the drama performance of modern life symposium, modern drama has become one of the characteristics of the new atmosphere of the great leap forward in literary and art circles. Putting politics in command, serving the current political struggles and production struggles, shouting loudly in the opera circles has become the driving force behind the development of the opera circles. Modern drama has been a new audience - the workers, peasants and soldiers learned that business people, play modern drama, but also feel glorious. Why did the concept of acting change? In the past, some people from the day of the play, that is, for the personal and family life and rushing, singing red, life better; some luck, destitute, wandering the streets of a large number of people. This is the traditional old conception, no one think reasonable and legitimate, blameless. However, this year’s opera industry after rectification, anti-right, up the mountain, rural areas, play a series of modern drama