论文部分内容阅读
以马克思主义、毛泽东思想为指导的具有中国特色的戏曲艺术理论,是半个世纪以来理论领域中的一个新兴学科。特别是新中国成立以来,由于广大戏曲理论工作者锲而不舍的探索和建树,具有相当规模的中国戏曲理论体系已经逐步形成。由于历史和社会的原因,老一辈有显著成就的女戏曲理论家屈指可数。近几年,巾帼中戏曲研究人才纷纷崛起,这是十分可喜的现象。陈先祥是脱颖而出的佼佼者之一。先祥已经人到人中年。她幼学汉剧,从艺于湖北省汉剧团,工花旦、刀马旦,扮演过穆桂英、婵娟、杨排风等多种角色,以其扮相秀丽、技艺
The art theory of opera with Chinese characteristics guided by Marxism and Mao Zedong Thought is a new emerging discipline in the theoretical field in the past half century. Since the founding of new China in particular, due to the constant exploration and contribution of the broad masses of opera theorists, the theoretical system of Chinese opera with a considerable scale has been gradually formed. Due to historical and social reasons, there are only a handful of female opera theorists who have made remarkable achievements in the older generation. In recent years, there has been a rise in the research talents of drama in the women’s troupe, which is a very gratifying phenomenon. Chen Xianxiang is one of the best people to stand out. Xiang Xian first person has been middle-aged people. She plays a lot of roles, such as Mu Guiying, Chan Juan and Yang Paifeng. From her play in the Han Opera Troupe of Hubei Province, She Hua Dan and Da Ma Dan,