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电影《茶花彝女》属于族群传统文化与现代社会和谐共荣的典范之作,爱花、护花、崇花当为壮族花婆神话和彝族茶花神话二美会通的交汇点,人与花的关系代表了人与自然相依相存的生态观。电影用文本、声画的组合创造了生死交替的场景,讲述了一个富有深刻哲理的凄美故事。守花老人为花而死,女儿的爱情由死到生,宣告了坚守族群传统优秀文化与现代社会的发展进程并不矛盾,二者完全可以相互促进,这一价值取向呼应了壮族花婆神话与彝族茶花神话的互释与同构。
The film “Camellia Yili” belonged to the model group of traditional culture and modern society in harmony and common prosperity. Love flower, flower protection, and Chong Hua were the meeting points of the two Huamei Tongs of Zhuang Huapo Mythology and Yi Camellia Mythology. The relationship represents the ecologically dependent man and nature. The combination of text, sound and picture created a scene of alternating life and death, tells a poignant story of profound philosophy. The old man of Huadao spent his life as a flower, and his daughter’s love from death to life declared that adhering to the outstanding traditional culture of the ethnic group is not contradictory to the development of modern society. Both of them can fully promote each other. This value orientation echoed the myth of Huabo Mutual Interpretation and Isomorphism with the Myths of Yi Camellia.