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树根艺术是艺术大树上分出的一枝小丫。要在这个小丫上结出丰硕的果实,就须有大家的共同努力探索。多种艺术对神、形的主次众说不一。那么树根这门艺术是以形借神,还是以神托形呢?我把自己的一点体会、想法提供给大家参考。人们往往只注意形象的雕琢。认为越形象就越容易被观众接受。在欣赏作品时,往往是以象不象来评价,忽视了神态。以形写神,形神兼备的提法众多。初视辩证,还可以,但经不起推敲。实际上是面面具到,离开了重心,失去了主导方向。这种提法能把作者的思想引上纯客观的雕琢,其结果必然导致求准求全,抹杀了个性的感受;导
Tree root art is a small branch of art from the tree. To achieve fruitful results on this Xiaoya, we must all work together to explore. A variety of art on God, the primary and secondary forms of different shapes. So the root of this art is to take the form of God, or God-shaped it? I put myself a little experience, ideas for your reference. People often only pay attention to the image of carving. The more imagery the easier it is for the viewer to accept. In the appreciation of the work, often do not like to evaluate, ignore demeanor. In order to describe God, both shape and spirit formulation many. Dialectics at first glance, but also, but can not withstand scrutiny. In fact, the mask, left the center of gravity, lost the dominant direction. This formulation can lead the author’s thinking to the pure and objective carving. As a result, it will inevitably lead to the quest for integrity and obliterate the feeling of individuality.