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本文以新浪漫主义时期产生的两种音乐形式:“标题音乐”及“交响诗”所体现的戏剧性与文学性特征为主线,对这一时期音乐作品中所体现的戏剧性与文学性特征进行了具体的介绍与评析。
This thesis, based on the dramatic and literary features embodied in the two forms of music produced in the period of New Romanticism: the “title music” and the “symphonic poem”, analyzes the drama and literature embodied in the musical works of this period Sexual characteristics of a specific introduction and evaluation.