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我认为在书法中,应体现民族精神与时代精神,在技法上既能继承传统,又要别于传统,在此基础上展示个人风貌,才是好作品。我很尊崇吴昌硕,学习他那雄伟厚重的气势、遒劲清奇的风韵。但在早年书作中,只强调了粗、重、浓,不知不觉中犯了野、笨、滞的毛病,实是未了解缶翁用笔的精神实质,后来再读缶翁手迹,方悟气势雄伟,不仅在较粗重的笔划中,而且必须
I think in calligraphy, we should embody the spirit of the nation and the spirit of the times. In terms of technique, we can inherit the tradition as well as the tradition. On the basis of this, we can show the personal style that is a good work. I am very respected Wuchang Shuo, learn from his magnificent momentum, awe-inspiring charm. However, in his early writings, he only emphasized the problems of crudeness, heavyness and concentration, unknowingly committing the problems of wildness, stupidity and stagnation. In fact, he did not understand the spiritual essence of the pen and later read the manuscript Magnificent enlightenment, not only in the heavier strokes, but also must