论文部分内容阅读
新中国“十七年”(1949—1966年)文学发展的总体态势可以描述为文学对主流话语和国家意志的趋同。但是,在政治驯化的表层之下,文学工作者私人的审美旨趣成为一股潜在的暗流,与国家话语在文学领域进行角力。只是后者太过强大,以至于令人忽略了前者在“十七年”文学活动中的存在。文章旨在对这种力量悬殊的角力进行分析,描绘出一个多种力量作用下的美国文学接受史。
The general trend of literature development in New China “Seventeen Years ” (1949-1966) can be described as the convergence of literature on mainstream discourse and state will. However, under the surface of political domestication, the private aesthetic interest of literary workers has become a potential undercurrent, which is in the field of literature with national discourse. Only the latter is so powerful that it neglects the existence of the former in “Seventeen Years” literary activities. The article aims to analyze the disparity between the power of this force, depicting a variety of forces under the influence of the history of American literature.