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雷柏阳先生在贵刊1996年第6期《关于盆景的“意境”和鉴赏标准》一文中,几乎把盆景艺术在创作过程与欣赏活动中的意境全否认了;把近几年国内各名家所创作的具有意境美的作品,简单化地看成是以题名取胜而已。笔者对此不敢苟同。盆景的题名,是中国盆景的特色和组成部份。题名的深入浅出、意蕴含蓄,体现出创作者的文化艺术修养。作者借助题名来传达作品的内容,概括景观特色,深化意境,使欣赏者顾名思义,顺藤摸瓜,如揭帘幕,见题名而省悟到寓托在景物中的内在意象。如《骄杨颂》,创作者心有成竹,借物寓情,立意塑造了一株轻扬向上、绿染重霄九的珍珠黄杨的英姿飒爽
In his article No. 6, 1996, entitled “Artistic Conception and Appreciation Criteria for Bonsai,” Mr. Pen Park Yang almost denied the artistic conception of bonsai art in the creative process and appreciation activities. In recent years, Created by the beautiful works of art, simplistic as a title to win it. I disagree with this. Bonsai’s title, is a Chinese bonsai features and components. The title in simple terms, implication implies that the creators culture and art accomplishment. The author uses the title to convey the content of the work, summed up the landscape features, deepen the mood, so that the viewer as the name suggests, follow the example, such as exposing the curtain, see the title and realize the intrinsic image of the apartment. Such as “arrogance Yang Song,” creators with confidence, by the love of objects, the idea of shaping a light Yang upward, green Zhuoxiao nine pearl boxwood valiant