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一九八二年八月底,应日本话剧人社的邀请,我同张辉同志一起去大阪看《阿Q正传》的演出。我永远难忘的是演出使我产生的感觉:以为自己竟是在未庄同阿Q一起生活了许久。就是说,整个演出使观众如身临其境,亲历其事,仿佛阿O依然活在身边。具体来说,在话剧人社演出《阿Q正传》的小剧场里,舞台与观众席一反通常那种截然分开的作法而交融一体。可以说舞台伸展到观众席里,也可以说观众席设在舞台上。你看,整个布景象一个俯视的“口”字装置在剧场中,上面的一横是剧场原有的
At the end of August 1982, at the invitation of the Japanese drama club, I went to Osaka with Comrade Zhang Hui to see the performance of “True Story of Ah Q”. I will never forget the performance makes me feel: I thought I actually lived in Zhuang with Ah Q for a long time. That is to say, the entire performance makes the audience immersive and experienced the events, as if O is still living around. In particular, in the theater where the drama club “The True Story of Ah Q” is staged, the stage blends in with the auditorium’s often rather divided approach. It can be said that the stage extends into the auditorium, it can be said that the auditorium is set on the stage. You see, the whole set like a overlooking “mouth” device installed in the theater, the top of a theater is the original