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释文:天泽,移牧河关。泉明比者,再陷常山。携尔首榇,及并同还。抚念摧切,震悼心颜。方俟远日,卜尔幽宅。魂而有知,无嗟久客。呜呼哀哉!尚飨。颜真卿《祭侄文稿》越至文尾,书写越见苍劲,涂改处见情绪变化,悲痛感跃然字里行间。书法中,点画之粗细、迟速、润涩变化是最见作者性情的;字结体之紧松、宽窄、大小虽由临古出,但亦可隐见作者气质格局。颜真卿此文稿为“无创作意识”之书写,故就书写状态言,是最放松自由的
Explanation text: Tin Chak, move animal husbandry river. Spring Ming than those who fall Changshan. Carry the first 榇, and with the same. Despair destroyed, mourning heart. Fang Yi far future, Bull secluded house. Soul and knowledge, no long-term customer. Woe sad! Yan Zhenqing “sacrificial niece manuscripts” to the end of the text, writing more vigorous, change at the Department see the emotional changes, sorrow sense vividly in between lines. Calligraphy, the thickness of stippling, late speed, Run Shui change is the most authoritative character; tight knot tightness, width, size, although Pro ancient out, but also can see the author temperament pattern. Yan Zhenqing This manuscript is written in “No Consciousness of Creation”, so it is the most relaxed and free way of writing