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相声产业的兴起是中国相声艺术发展的必然归趋。解放前,中国传统相声与“产业”的关系似乎并不是那么遥远。白天桥“撂地”开始,跑茶馆、赴堂会,传统相声与其他民间曲艺一样,“卖艺糊口”从来都是从艺者标榜、观众认可,实现相声经济独立的市场契约。解放后,随着相声演出纳入国有计划经济体系,相声更多的成为各种文化运动和体制的传声筒,利润获取
The rise of crosstalk industry is an inevitable trend of China’s crosstalk art development. Before the liberation, the relationship between traditional Chinese crosstalk and “industry” did not seem to be that far off. Daytime Bridge “Dadi ” began to run teahouse, went to the church, traditional comic and other folk folk art, “life of food ” has always been advertised by the artist, the audience recognized, to achieve cross-economic independent market contract. After the liberation, with the crosstalk performance incorporated into the state-owned planned economy, crosstalk became more of a conduit for various cultural movements and institutions, gaining profits