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在素描画面中,黑、白、灰色块是画面组织的基础,是画面最稳定的视觉因素。所有物体的呈现和它们之间的形成关系,都是通过黑白灰色块的归纳、对比来完成的。而线条、形体、质感等实际上都是这种黑白灰色块的不同外在形式。可以说,画面上的黑白灰形状的产生,既来自物象的意识,又有画家由此产生的主观抽象形式思维的归纳,它是具象与抽象双重造型形式在画面上的重叠,是画面组织最重要的基础层面。
In the sketch screen, black, white, gray block is the basis of the picture organization is the picture of the most stable visual factor. The presentation of all the objects and the relationship between them are done through the summaries and contrasts of the black and white gray blocks. The lines, shapes, textures and so on are actually different external forms of such black and white gray blocks. It can be said that the appearance of black and white gray shapes on the screen comes from both the consciousness of the object objects and the subjective abstract form of the thinking of the artist. It is the superposition of the dual forms of figurative and abstract images on the screen, Important foundation level.